epershand: An ampersand (Default)
Renoir portrait of Bizelle, Bizelle portrait of Renoir  Caption: Last month, I went to see the French Impressionism exhibit in San Francisco. Needless to say, it was fantastic. These two paintings were hung next to each other. I remember reading something there about their relationship and whatnot and G-d help me... but I want me some fic of those two. Do I really need to explain why this is a secret? I can't believe fandom has gotten so much into my everyday life that I'm starting to ship not only these two but Emily Dickinson/Susan Gilbert and Pilate's Wife/Mary Magdalene {I don't get it either}. Someone, please get my slash goggles the fuck off.
(from this fandom secrets post)

This secret made me so happy, because I had a really great time when I saw this exhibit with my aunt and grandmother a couple of months ago. My aunt and I spent the whole exhibit nattering about how delightful the relationships were and giggling at the contemporary reactions (the use of dappled light in The Swing was "obscene"). I would totally read any Impressionists, together and separately, being Tragic Little Rich Boys rebelling against the establishment in their flannels and ties.

We're going to see the Post-Impressionists in a few weeks and I am VERY excited. My aunt does the best art museum snark.
epershand: An ampersand (Default)
With all the different discussions of the Bechdel test I've seen in the last week [obsession-inc] [kateelliot] [februaryfour] [Scalzi], the original Alison Bechdel comic, "The Rule", seems relevant. One thing I find notable in the comic is that passing the test doesn't automatically make the subject good (the example of a passing movie is Alien.) The point is the almost total desolation, which I think gets lost in discussions of whether individual movies pass, or what technicalities count. (This doesn't mean I don't have a little Bechdel test check box whenever I watch movies or tv shows.)

Via Gizmodo, [livejournal.com profile] sergey_larenkov has been posting incredible photoshopped photos where he merges photos from WWII with modern photos taken from the same angle. The result is haunting and creepy and makes me glad to have broken my "no more WWII this month" pledge.

Last night at dinner [livejournal.com profile] laurieopal showed me John Berger's BBC program Ways of Seeing. His discussion of women viewing themselves through an "objective" male gaze is 101 enough that even Ovid made the point, but the way he applies it to paintings of nudes is fascinating.

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