epershand

This week's bread: a Standen loaf, 4:1 Strong Brown/buckwheat flour, with maple syrup (last drain from bottle) instead of honey and Rayner's Malt Extract. V nice.

During the course of the week I made Famous Aubergine Dip to take to a BBQ.

Saturday breakfast rolls: adaptable soft rolls recipe: approx 70/30% wholemeal/white spelt flour, Rayner's Malt Extract, dried cranberries, not bad.

Also made foccacia to take to BBQ.

Today's lunch: sweet potato gratin with black olive tapenade (as there were sweet potatoes left over from last week), served with warm green bean and fennel salad (I did use tarragon vinegar but I think this had rather lost its oomph) and baby green pak choi stirfried with garlic.

Walkouts, feuds and broken friendships: when book clubs go bad. I don't think I've ever been in a book club of this kind. Many years ago at My Place Of Work there used to be an informal monthly reading group which would discuss some work of relevance to the academic mission of the institution, very broadly defined, and that was quite congenial, and I am currently in an online group read-through and discussion of A Dance to the Music of Time, but both these have rather more focus perhaps? certainly I do not perceive that they have people turning up without having reading the actual books....

Mind you, I am given the ick, and this is I will concede My Garbage, by those Reading Group Suggestions that some books have at the end, or that were flashed up during an online book group discussion of a book in which I was interested.

Going to book groups without Doing The Reading perhaps goes under the heading of Faking It, which has been in the news a lot lately (I assume everybody has heard about The Salt Roads thing): and here are a couple of furthe instances:

(This one is rather beautifully recursive) What if every artwork you’ve ever seen is a fake?:

Many years ago, I met a man in a pub in Bloomsbury who said he worked at the British Museum. He told me that every single item on display in the museum was a replica, and that all the original artefacts were locked away in storage for preservation.
....
Later, Googling, I discovered that none of what the man had told me was true. The artefacts in the British Museum are original, unless otherwise explicitly stated. It was the man who claimed to work there who was a fake.

This one is more complex, and about masquerade and fantasy as much as 'hoax' perhaps: The schoolteacher who spawned a Highland literary hoax

This is not so much about fakery but about areas of doubt: We still do not understand family resemblance which suggests that GENES are by no means the whole story.

This time it was online, in Teams, and worked a bit better than some Team events I've attended, or maybe I'm just getting used to it.

A few hiccups with slides and screen sharing, but not as many as there might have been.

Possibly we would rather attend a conference not in our south-facing sitting-room on a day like today....

But even so it was on the whole a good conference, even if some of the interdisciplinarity didn't entirely resonate with me.

And That There Dr oursin was rather embarrassingly activating the raised hand icon after not quite every panel, but all but one. And, oddly enough, given that that was not particularly the focus of the conference, all of my questions/comments/remarks were in the general area of medical/psychiatric history, which I wouldn't particularly have anticipated.

For the first time in forever I have been making The Famous Aubergine Dip (the vegan version with Vegan Worcestershire Sauce, I discovered the bottle I had was use by ages ahead, yay). This required me acquiring aubergines from The Local Shops. There is now, on the corner where there used to be an estate agent (and various other things before that) a flower shop that also sells fruit and vegetables, and they had Really Beautiful, 'I'm ready for my close-up Mr deMille', Aubergines, it was almost a pity to chop them up and saute them.

A little while ago I mentioned being solicited to Give A Paper to a society to which I have spoken (and published in the journal of) heretofore. Blow me down, they have come back suggesting the topic I suggested - thrown together in a great hurry before dashing off to conference last week - is Of Such Significance pretty please could I give the keynote???

Have been asked to be on the advisory board for a funded research project.

A dance in the old dame yet, I guess.

What I read

Finished Murder in the Trembling Lands and okay, you have a mystery based on something that happened during some very confusing battle events back in the past, and this is all taking place during the upheavals of carnival in New Orleans decades later, and people lying, giving their versions of past events based on gossip, rumour, speculation etc etc, and possibly this was not really one to be reading in fits and starts.

Zen Cho, Behind Frenemy Lines (2025). This was really good: it does what I consider a desideratum particularly in contemporary-set romance, it has a good deal of hinterland going on around the central couple and their travails. And is Zen Cho going to give us a political thriller anytime, hmmmm?

Natasha Brown, Universality (2025), which I picked up recently as a Kobo deal. I was fairly meh about this - kind of a 'The Way We Live Now' work, about class and the media and establishing narratives and the compromises people make, I found it clunky (after the preceding!) if short, though was a bit startled by the coincidental appearance of the mouse research I mentioned earlier this week being cited by an old uni friend of one of the characters, now veering alt-right.

On the go

Also a Kobo deal, Taffy Brodesser-Akner, Long Island Compromise (2024): in my days of reading fat family sagas set in T'North, this would have been the 'to clogs again' section of the narrative.... it's sort of vaguely compelling in its depressing way.

Up next

Have got various things which were Kobo deals lined up, not sure how far any of them appeal. Also new Literary Review, which has my letter in it. The new Sally Smith mystery not out for another week, boo.

The following are all in the area of environmental history: enjoy!

Rebecca Beausaert. Pursuing Play: Women's Leisure in Small-Town Ontario, 1870-1914.

Beausaert’s discussion of the growing popularity of outdoor recreation in the early twentieth century, as opposed to earlier forms of indoor leisure such as book clubs and church gatherings, also highlights the role of women in the rise of environmental activism in towns like Elora. In these communities, grassroots efforts to maintain the local environment and cater to the influx of ecotourism travelers flourished, further illustrating the agency of women in shaping both their social and environmental landscapes.

Robert Aquinas McNally. Cast Out of Eden: The Untold Story of John Muir, Indigenous Peoples, and the American Wilderness:

McNally’s emphasis on the role of race in Muir’s thinking, and, therefore, on his vision of wilderness preservation, helps readers more clearly see Muir not as wilderness prophet but as a man of his time coming to terms with the consequences of American expansion.

B. J. Barickman. From Sea-Bathing to Beach-Going: A Social History of the Beach in Rio de Janeiro, Brazil. Edited by Kendrik Kraay and Bryan McCann:

The book begins with Rio in the nineteenth century and shows that Cariocas regularly went to bathe in the ocean. The work incorporates an assortment of sources to give a vivid picture of this process. For instance, it was customary for bathers to go before dawn—as early as 3 a.m.—since many in Rio went to bed early in the evening, but also due to colorism within Brazilian society. The dominant white society enjoyed swimming in the ocean but also prized fairer complexions and thus aimed to avoid the sun. Yet, few amenities existed for sea-bathers. The city dumped its sewage and trash into the ocean and provided few lifeguards, which resulted in frequent drownings.
In chapter 2, a personal favorite, Barickman discusses the evolution of sea bathing from a therapeutic practice (thalassotherapy) in the nineteenth century to a leisure activity that provided a space for socialization across gender lines by the 1920s. Locals went to the beach to escape the heat of the summer, rowing emerged as the most popular sport in the region, and, as in other parts of the world such as the United States and the Southern Cone, beach-going became a popular way to make or meet friends. In short, the beach became a public space at all hours of the day, not just before dawn. Moreover, the beach captured the “moral ambiguities” of nineteenth-century norms (51-63). Men and women of all races and classes could be present in public spaces partially nude, to observe others and to be observed, in ways that society did not permit beyond the beach, but this continually frustrated moral reformers.
Chapter 3 centers on the work of Rio’s civic leaders to “civilize” the city in hopes of altering public perception of the city as a “tropical pesthole” (p. 69).

David Matless. England’s Green: Nature and Culture Since the 1960s:

The range of sources and topics is impressive, but at times the evidence is noted so briefly and the prose proceeds so quickly that breadth is privileged over depth. For example, the deeper connections between England and global ideas of green (as defined by the International Union for Conservation of Nature and the World Wildlife Fund), the influence of colonial experience on conservation events of the 1970s, and the tensions between the various governmental nature management organizations would all have benefited from a little more attention. Yet, even if the reader sometimes wishes for a slower pace to get their thoughts in order, Matless offers enough analysis to build the examples up into a clear and insightful picture. The reader is left with a general appreciation of the central environmental debates of the period and good understanding of how they evolved over time. For scholars, it is a multidimensional study that adds something new and long awaited to British environmental and cultural history. For others, it is a fascinating book filled with interesting stories, cultural context, and many moments of nostalgia.

Michael Lobel. Van Gogh and the End of Nature.:

Lobel makes a systematic case for a new way of seeing Van Gogh’s paintings. Carefully introducing readers to a host of environmental conditions that shaped Van Gogh’s lived experience and appear repeatedly in his paintings—factories, railways, mining operations, gaslight, polluted waterways, arsenic, among others—Lobel compellingly invites us to see Van Gogh as an artist consistently grappling with the changing ecological world around him. Color and composition, as two of Van Gogh’s most heralded painterly qualities, appear now through an entirely different perception influenced by a clear environmental consciousness.

Ursula Kluwick. Haunting Ecologies: Victorian Conceptions of Water:

The author sets out to consider how Victorians understood water, seen through nineteenth-century fictional and nonfictional writings about the River Thames. In chapter 2 she points out the existence of writing that emphasizes how polluted the Thames was as well as writing that never mentions the pollution, and wonders at their coexistence. The conclusion that the writings don’t relate to any real state of the river is not particularly surprising but points to the author’s overall intent, summarized in the book’s title.

Alan Rauch. Sloth:

Rauch views these caricatural depictions—including portrayals of sloths as docile and naive creatures, as seen in the animated film Ice Age (2002)—as potentially detrimental to the species’ well-being. Through his analysis, the author critiques how sloths have been appropriated to fulfill human (emotional, cultural, and economic) needs and how this process misrepresents sloths, leading to harmful stereotypes that diminish their intrinsic value and undermine their agency.

Reading this, I'm very much reminded of certain sff stories I read - late 60s/early 70s - that were either directly influenced by this research or via the population panic works that riffed off it: review of Lee Alan Dugatkin. Dr. Calhoun's Mousery: The Strange Tale of a Celebrated Scientist, a Rodent Dystopia, and the Future of Humanity. Does this ping reminiscence in anyone else? (I was reading a lot of v misc anthologies etc in early 70s before I found my real niche tastes).

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What Is a 'Lavender Marriage,' Exactly? Feel that there is a longer and (guess what) Moar Complicated history around using conventional marriage to protect less conventional unions, but maybe it's a start towards interrogating the complexities of 'conventional marriages'.

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Sardonic larffter at this: 'I'm being paid to fix issues caused by AI'

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Not quite what one anticipates from a clergyman's wife? The undercover vagrant who exposed workhouse life - a bit beyond vicarage/manse teaparties, Mothers' Meetings or running the Sunday School!

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Changes in wedding practice: The Cambridge Group for the History of Population and Social Structure: Wedding Days:

After the Reformation, Anglican canon law required that marriages took place in the morning, during divine service, in the parish of either the bride or groom – three features which typically elude modern weddings, which usually take place in the afternoon, in a special ceremony, and are far less likely (even if a religious wedding) to take place within a couple’s home parish. The centrality of divine service is the starkest difference, as it ensured that, unlike in modern weddings, marriages were public events at which the whole congregation ought to be present. They might even have occurred alongside other weddings or church ceremonies such as baptisms. A study of London weddings in the late 1570s found that, unsurprisingly given the canonical requirements, Sunday was the most popular days for weddings, accounting for c.44 percent of marriages taking place in Southwark and Bishopsgate. (By contrast, Sunday accounted for just 5.9 percent of marriages in 2022).

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Dorothy Allison Authored a New Kind of Queer Lit (or brought new perspectives into the literature of class?) I should dig out my copies of her works.