What I read
Finished A Banquet of Consequences, and, okay, family that makes the Starkadders look like the Waltons at the centre of the plot. But at least Havers is somewhat on the way to rehabilitation and not being transferred, and while I am not convinced by Lynley's new affair (I consider his new squeeze is entirely prudent to maintain high boundaries), I don't think I ever wanted to have at him with a codfish at any point in the narrative.
Allie Brosh, Hyperbole and a Half: Unfortunate Situations, Flawed Coping Mechanisms, Mayhem, and Other Things That Happened (2013), found in a local charity shop. Raced through it though on reflection not sure that it wouldn't be better read in doses.
Gave up on the romance about marrying an earl.
On the go
Max Gladstone, Two Serpents Rise (2013) - still not quite feeling it for the Craft Sequence - it's well-done, it's not doing anything I dislike, and yet somehow I feel unabsorbed.
Also picked up in a local charity shop, Jeremy Reed, The Dilly: A Secret History of Piccadilly Rent Boys (2014), which is really, really, annoying. It could be a much better book if the author wasn't so in love with his gosh-wow prose and his vision of the sexual outlaw, not to mention, checking his bloody facts - there were two chronological bloopers in the first 20 pages, a Tory politician described as a Labour MP, a confusion between the Stones' Hyde Park concert and Altamont. Also, how can anyone possibly tell if 'most' late Victorian homosexuals were being blackmailed? The book comes from a publisher I had previously considered reputable, but does not seem to have been copy-edited (this might have done something about the Did Not Do His Research factor and the annoying repetition of favoured phrases) or proof-read, and given that some passages appear to have been written while stoned and there are sentences which are not and places where you think, that is so not the word you want there, this would have improved one's reading experience considerably. There's some really interesting material there but unfortunately the generally cavalier attitude to checkable facts makes me a bit sceptical about his ethnography of gay London, or rather, the gay West End, from Wilde to the era of AIDS. I'm also wondering whether there is any unacknowledged debt to e.g. work by Matt Cook and Matt Houlbrook.
And, finally released this week as ebook (there were hard copies at Wiscon but I was in travelling mode), Liz Bourke, Sleeping with Monsters: Readings and Reactions in Science Fiction and Fantasy (2017).